"Can Cry" Mod Account (
cancrymods) wrote in
cancry2022-04-17 01:41 pm
Luxuria Intro Log
With the real super power of teamwork, the Executors have successfully managed to make their way through the Gula Underside and defeat the previous Authority there. With Gerda now freed from her past regrets and given the power of an Executor, Gula and its inhabitants seem to be in safe hands... for now at least. More interesting – or concerning, perhaps – is the tentative ally you've gained in the form of Birdie, the mysterious girl who attacked some of your number in the Superbia Underside. While she seemed to be nothing but an enemy back then, a surprising connection has been formed with who you now understand to be the Authority of Purgatory itself. While she doesn't necessarily believe the Executors will be able to repair Purgatory, she is at least willing to admit that she shares their goals of wanting to see Purgatory restored... either to its former state, or to something new. But what does that mean for the Executors? And what does that mean for Rei supposedly born from the Authority's discarded heart? There are still many questions the Executors need to answer and as a blast of dry, hot air blows up from the next layer, you can only hope that Luxuria holds the key to at least some of them... | |
![]() ♪♫ Wet & Dry – Sakuzyo After the humidity and noise of the Gula Underside, passing down to the Lust Layer of Purgatory initially seems like a relief. The air here is dry and sharp and though you hear noise drifting up to meet you and see a whole rainbow of lights clustered together in the dark, it doesn't seem as though it'll be quite as overwhelming as some of the bustling Layers you've had the pleasure of exploring before. But as you set foot down into Luxuria and feel the heat of the ground under your feet, you begin to wonder if you might just have hopped out of the frying pan and into the fire... | |


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CASTER
FERRIS WHEEL
Caster
Ooh, I hope so! I'm taking notes on adrenaline responses in Specters!
[...Well, at least that explains why she's duct-taped a notebook to her arm. Apparently, she's not planning to wait until they're off the ride to jot her observations down.]
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Are you going to be able to write while we're moving...?
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[Maybe she should have tied it to her other wrist.]
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[ Mona covers her mouth with her fingers, like she's thinking hard about something; underneath her hand, she's trying not to smile too widely. ]
What if I get scared and want to hold your hand? You won't have any hands free for me.
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[Yes, it's unfortunate, but listen. If a pretty girl needs to hold her hand, that pen is gone. You've got to have your priorities in order.]
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That's very sweet of you. I'll do my best not to make you lose your pen.
arrival
I see. Still at that book, are you?
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Yes. Not just in case we forget. [ she looks back to the book and, gradually, her expression turns sombre. ] We're getting closer to the Cogs, and... I'd like to leave something behind. So that there's proof that we... we existed here, as us, the way we are now.
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Just like... we were different people when we were alive. I don't want this time to be forgotten just because it's "in between" lifetimes.
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It's not because I don't want to be here. I don't fight because I don't want to hurt anyone. I know Revenants aren't people anymore, but... where I came from, it isn't normal to fight. I won't be responsible for causing a death, even if it's a Revenant.
... But of course I'm afraid of that, too. The thought that I'll disappear and be replaced by someone who both is and isn't me. Doesn't it scare you?
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[Her eyes dart to Mona, then away.]
But I don't want to sit back and deal with the absolute mess of this Purgatory by not dealing with it, either. Every successive layer is worse and more irritating than the last. Gula warped our minds every second we were in there. Of course I'd love to finish what I started when I was alive! I still want my revenge, and I want my life back! But...
Well, no matter. It isn't as if I even know for sure I failed.
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And when we get to the Cogs, I'll...
[ she trails off, struggling to say the obvious: I'll go. her eyes close. she looks pained, faintly, and after a moment of silence she switches track to try putting it a different way: ]
... It's not that I want to go back, not really. It's just — sometimes, it's very easy to forget that we're already dead.
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carnival games
[ shooting can be hard though, she understands. ]
Aiming tends to be the hardest part.
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... Isn't aiming the only part?
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[ she offers an apologetic laugh and tries again. ]
Let me clarify: I think you're focusing too hard on what's directly in front of you. Long distance requires taking in the whole picture, as it were.
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[ she doesn't understand at all, but the look on her face is determined nonetheless. ]
Alright. Take in the whole picture... and don't focus too hard. I've got it.
[ once again, she raises the toy rifle, takes aim, fires — and misses completely in the opposite direction of her shot last time. ]
wheel! just chill, lest we break causality
[It's nice and slow and stable-looking!]
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[ when the wheel stops and the lowest car opens its doors to let its passengers off, Mona holds out a hand to Veil. ]
Shall we go together, Veil?
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[Veil takes Mona's hand, in a shocking move that comes as a surprise to everyone I'm sure, and starts off toward the loading area.]
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Have you been on many of the other rides yet?